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Astroschnautzer – Twå

Free Music | Glitch, IDM, Suomi | May 29, 2013 | Released by  | Posted by Basilisk

Astroschnautzer – Twå
01 - Yks (85 BPM)
02 - Twå (120 BPM)
03 - Weird-O Komp-O (144 BPM)
04 - Plan C (120 BPM)
05 - Vapaaehtoinen Taidebiisi (147 BPM)
06 - Worm Song (120 BPM)
07 - Walkman (133 BPM)
08 - Muukalais-Dub (120 BPM)
09 - Aalto (99 BPM)
10 - Korton (121 BPM)
11 - Dögge (140 BPM)
12 - Bb-Dub (109 BPM)
13 - Psyko-Paatti (82 BPM)
14 - Snapper Tuna (89 BPM)
15 - Aa:n Kahvila (103 BPM)
16 - Space Humppa (120 BPM)

Twå is an eclectic collection of sixteen tracks of electronic music made by Astroschnautzer and released on Freudian Slip Records, Finland. Since 1996 he has been making psytrance in the Finnish underground, more recently working on projects such as Tutankhamon 9000, Bechamel Boyz, Morons Of Morontia, and many more. With this album Astroschnautzer is creatively unbounded, exploring different permutations of glitch and IDM in an original fashion. Mastering and artwork by Astroschnautzer.

MP3 Download | FLAC Download | WAV Download · Download count: 6,325.

Released under a Creative Commons licence for noncommercial usage.


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  • Teenik says:

    Strange Abstractions of Psychedelic IDM. Less “Enjoyment” but more Itelligent, Logic Progressions of Soundarchitecture. I think its more interesting than Dubstepshit!

  • SkeL says:

    U must listen old thigs of Astroschnautzer.

  • Although definitely interesting, slightly entertaining, and unique, the clattered clinking and scratching of Twå has a lot of room for improvement. This glitchy full-length album contains a series of seemingly random tracks that go all across the borders with drum n bass, ambient, glitch-hop, IDM, breakbeat, and lo-fi techniques. Experimenting with different styles, Astrochnautzer takes us through some glitchafied, drum-stepping, bit crushed projects. There are a few really sweet tracks on here, but at the same time there are some that should have simply been left out.

    Focusing on the classics with a boost of his own originality, the artist brings some chilled and mellow personalities with an added spray of freshness and downright quirkiness. The balance between the two, however, is unenjoyable at times. There needs to be more structure and organization to the “uniqueness” captured in each track. Snapper Tuna, for example, leaves a well balanced, smoothly progressive, and satisfying taste in my mouth. Worm Song is one of the tracks that does the opposite, based around a series of unfitting sounds that can prompt headaches.

    To the artist, I would strongly recommend taking this album as a great learning experience. It seems to be highly experimental, dabbling inside never-personally-done-before ideas. It is always good to try out new things so you can improve and expand your style. In fact, I urge people to reach out for new innovations. In this case, I suggest walking away from most tracks in this album, honing in to the better compositions. Snapper Tuna, Plan C, and Korton. Stay away from too many voice samples, bit crushed wobbles, and unfitting synth zaps and drum smashes. Everything needs to be done in moderation, as I like to say. Keep your chill like attitude and progress your tracks to have more meaningful climaxes, leaving the listener craving for that certain sappy synth. Spend more time crafting your sounds and it will be very rewarding. Think of it like this: Every sound is a puzzle piece. Put each sound together to form the perfect picture. If you put together pieces that don’t fit, the picture won’t make much sense. Keep up your hard work and good luck with your glitch experiments!

  • Also, the album artwork is really awesome! :)

  • Nymphomania says:

    This is awesome, some great broken beats, wobbles and sub bass. Dope. 5/5

  • Cynos says:

    What a great mind-bending album.

  • ahjah says:

    best shit ive heard inna while.

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