Canadian techno producer Søren Nordström reworks several transmissions from Syndicate here on Syndicated, a new release from Drumlore. Expect deep, driving, hypnotic, industrial-influenced and minimal techno on this release. Someone has responded… Mastering by Dan Driscoll with artwork by Kassidy Crowe. Donations are welcome via Bandcamp.

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Ukrainian newcomer Dike Disko makes an impressive debut on Drumlore with Hot Pursuit, an interesting collection of moody and minimal tech house and techno. This release makes use of deep, electro-esque bass lines and melodic, hypnotic pads. Written and produced by Dike Disko. Mastering by Dan Driscoll. Artwork by Kassidy Crowe.

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Drumlore stretches out into new musical territory with Hive Mind Volume One compiled by Søren Nordström. Featuring fresh faces alongside veteran producers, this compilation captures the diversity of modern techno music while staying true to the fundamentals. Mastered by Dan Driscoll except track one, mastered by Snappy at Playhouse Studio. Photography by Kassidy Crowe.

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Drumlore takes it down a notch with this deep and mellow release from Südpol. Urwerk is a low-slung ambient track with eerie ambience accompanied by a rewerked dub mix from Søren Nordström. Patagonien is a dubbed-out, 90s-influenced, minimal techno track slipping through effect soundscapes as the track evolves. Together Patagonien/Urwerk brings it back to basics with deep old school dub techno vibes. Mastering by Dan Driscoll with artwork by Kassidy Crowe.

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Released under a Creative Commons license for noncommercial usage.

[audio:sudpol-urwerk.mp3,sudpol-patagonien.mp3,sudpol-urwerk-soren-nordstroms-dub-rewerk.mp3]

Fennec is the Fennec Fox from Western Sahara. Or maybe it’s the U.K. or America? It’s not terribly important. This Place Was Once A Palace, released by Drumlore, serves as a brief follow-up to Fennec’s second album, R.I.P. City, once again quenching our thirst for wistful beats and plunderphonics. Exploring moods of loss, excess, and the emptiness of material wealth, Fennec treads on familiar territory, drawing on hip-hop and found sounds, while venturing deeper into the bowels of house and techno. If you’re not weeping on the dance floor, it’s because you’re crying in the bathroom as you hear the bass line of Omertà creep in on your shower radio. Donations are welcome via Bandcamp. All tracks written and produced and mastered by Fennec. Artwork also by Fennec.

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Released under a Creative Commons license for noncommercial usage.

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